In tech week now on Millwood Outpost, a new play at Playwrights Local. We started rehearsals in February and are rapidly approaching the finished product!
The rehearsal process has been fun, but things really got interesting for me when one of the actors had to drop out and I jumped in to replace him. Memorizing a part in your own script is an eye-opening experience, providing a level of insight of which I was completely unaware. It’s been a very long time since I acted, so there’s an element of fear and exhilaration involved in getting on stage again, but I’ve been supported by a great cast, a great director, a great stage manager, and a great artistic director who was completely behind the decision.
As I wrote above, we’re now in tech so it’s great to see the final touches on the set come together alongside the lights and sound, which really deepen and complement the words of the play and enhance its meaning. A big element of the play is sound. I was very intrigued by numbers stations, which I’m not entirely sure how I stumbled on in the first place. Numbers stations, for those who don’t know, appear to be radio stations that broadcast repeatedly with minor variation. Many suspect that they are messaging systems for spies in the field. They have an eerie, loneliness to them, a sense of isolation in space and time. In this particular instance, the Lincolnshire Poacher. Using the wonderful voice of Juliette Regnier, I modified the Lincolnshire Poacher broadcast for the messaging of my play. I had a great deal of fun creating the soundscapes for the various radio interludes. I had a great deal of fun gathering many of the set pieces as well. I wanted a set design that was bare, to emphasize the drama and, of course, to make the play easy to stage.
I’m looking forward to the run and hoping to see many friendly faces in the audience!
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Inaugural festival to be held November 6-7, 2015, at Waterloo Arts
(Cleveland, OH; October 7, 2015) — Playwrights Local 4181 announces its debut as Northeast Ohio’s first playwrights’ development and production center, marking its launch with a free festival on November 6 & 7, 2015. A 501(c)(3) nonprofit organization, Playwrights Local presents new plays written exclusively by area dramatists. It also offers classes and engages the community through site-specific projects. Playwrights Local is a home for novice and experienced dramatic writers to learn, create, and share their work.
“This type of organization has already succeeded in Chicago, Minneapolis, Atlanta, and Cincinnati,” said David Todd, Artistic Director of Playwrights Local. “We see this as a way of putting our under-recognized playwrights on the map, and of making their plays a bigger part of the arts conversation.”
Literary Manager Arwen Mitchell seconds the need for a space in Greater Cleveland dedicated to dramatic writing. “Other theaters support local playwrights to the extent that they can, but there’s no place focused on them exclusively,” Mitchell said. “Having an outlet like Playwrights Local is both amazing and essential.”
Playwrights Local 4181 welcomes the Northeast Ohio community to its inaugural Cleveland Playwrights Festival on November 6 & 7, 2015. All sessions in this event are free. (Online registration is recommended.) Dramatic writers of all skill levels can participate in workshops and discussions. Fans of live theater can attend staged readings of local works and take part in a recording of Mike Geither’s podcast play, Flame Puppy. Other offerings include a luncheon and post-show reception. The festival will be held at Waterloo Arts in Collinwood (15605 Waterloo Road, Cleveland, OH 44110).
Information on festival sessions and registration is available at www.playwrightslocal.org. Tax-deductible donations in support of this new, locally focused arts organization also may be made at the site.
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