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I generally try to keep this blog on topic, but I feel that I must use it today somewhat as soap box (sopa box?). Here is the letter that I have sent to my Senators and Congresspersons. Feel free to use, if you like, but this is an extraordinarily important issue if you don’t want the US to become China with regard to control of the Internet.

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Dear Senator XXXXX,

I am writing to express my very serious concern regarding the pending legislation (SOPA/PIPA) mentioned in the subject of this email. I cannot believe yourself or other Senators would consider instituting a China-like censorship on Internet Service Providers or Content Providers in the United States, nor allow one entertainment industry to dominate the freedoms that we Americans have come to enjoy.

I understand the concern of Hollywood companies as well as those in the music industry regarding the piracy of protected works to which they have a right to enjoy profits; however, the predominant threat seems to come from overseas and censoring Americans is an absurd approach to stopping illegal activity on foreign soil. Surely there are methods and approaches already underway that address foreign piracy.

Furthermore, I am greatly troubled and continue to be troubled by expanding reach of copyright interpretations. The origin of copyright was to ensure the progress of science and useful arts by encouraging creation–to do this, creators were awarded protections to their rights for their creation for a specified period of time during which they might enjoy the fruits of their labor. But this time period was to expire to allow future creative persons the ability to benefit from and use what came before. Now copyright seems to be viewed as a means to enrich and maintain the economic interests of grandchildren of the original creator–sort of a “you don’t have to work because your grandfather/mother did” attitude. Or worse, for the protection of a cartoon character. One need only look to the United Kingdom to see how stifling copyright laws can stagnate and destroy creativity and economic growth.

Therefore I strongly request that you consider the long-term consequences of any legislation that restricts and inhibits American rights and freedoms–as I am sure you do always. These pieces of legislation are bad for America and the rights of Americans and I hope you will not support them or will at least work to modify them so they balance important Constitutional concerns and place the onus for enforcement on the interested parties, not on those who provide access to the marketplace of ideas.

Very Best Regards,

XXX

Loneliness is the key ingredient of the fruit salad I am about to prepare for you.

The evening started out much as the evening started Monday with a lot of intense movement work. This time we were in Parish Hall, so we had quite a bit more space and a nice wood floor to move around on. We started in a circle and did a quick refresher on names and then moved on to Sun Salutations. Again, I was happy that my P90X work came in handy–as I felt like I was working straight out of CardioX. We started with some pretty intense yoga salutations that increased in speed. There was a little bit of plyo in the jumping–you know, we mixed it up; because variety is the spice of life. Sorry, channeling Tony Horton. Next we imagined that the large expanse of floor was gridded up at 90 degree angles. We all moved along in lines, redirecting when we encountered others. We played with tempo (speeding up our movement and slowing down); we played with spatial arrangements; we kept each other in our soft vision areas–periphery–and mimicked each other; we changed our core body positions in height: slinking down, rising up, crawling, tumbling, jumping. The sweat was pouring off all of us when we were finished, and I know that my legs will be sore tomorrow.

We took a break and then came back in costume: dressed as our personas from Monday. We walked about as before, getting a sense of ourselves in our characters. Then Jeffrey divided us into groups. We were charged with creating a 5 minute ensemble piece in :50 minutes which we then performed for the other groups. For those of you who’ve seen Conni’s Avant Garde Restaurant, you have a sense already of what the pieces were like, as they revolved around the creation of one course of a meal. For those of you who haven’t seen Conni’s, your time is running out. Very like Conni’s, the segments that we created had to have several components: 1) we were working with food, so we had to create a dish (the food was very basic: carrots, boiled eggs, apples, lemons, nuts, etc.); 2) the dish that we created had to fulfill a need of one of at least one of the characters in our group; 3) there had to be a song; 4) audience participation was greatly encouraged; 5) something in the piece needed to reveal more about each of our characters (deepen them); 6) there should be movement involved (i.e. no static tableaux); 7) we had to work together to create the piece, accepting as much as possible all ideas, suggestions. It was a challenge.

Fortunately, I worked with a great team. A great team! I was in a group with Lynna Metrisin, who was fantastic in my thesis play Patterns and who directed Cat Kenney’s play that ran on the same bill as mine in Springboard; Katie Nabors, who recently starred in The Underpants at the Beck Center; and the always fabulous Lauren B. Smith of concon fame. Our short piece centered on getting love for Lucy (Smith). This was accomplished by the other characters: Luna (Katie) my “hay rollin” cousin from the farm days; Bernie (Metrisin) who played a dispirited Browns fan turned coach for our team; and myself, Schnitzel Fritz: ponderer extraordinaire, who happens to be skilled at animal husbandry. Our piece started with a quick dance routine that was energetically and spontaneously created by Luna. The dance involved using paper plate bowls in either hand, choreographed movements, clapping of plates, and a quick spin around our protagonist, Lucy, as she sang about her need for love. Bernie, Luna, and I then gave Lucy a quick going over as we circled around and concluded that she needed a “stud,” whom we obtained from the audience (Randy Muchowski–who is an Actor Teacher at Great Lakes Theater Festival and who is also fantastic). Luna blew up a latex glove and Fritz gave Randy a quick instructional session on handling large breasts and how to clench a nipple firmly while pulling: Luna was quite inspired. We then guided Randy to a nearby dinner table where Lucy awaited his company. Luna dolled out some dishes to the audience while the two love birds at their appetizer course. Luna and Fritz then served up the “Intercourse” segment of the meal, but not before presenting it to the audience for inspection. Luna carried a thick, long carrot with two appropriately placed hardboiled eggs at the base; while Fritz carried a plate with the nippily ends of two lemons upward and a succulently halved and spread red pepper resembling another portion of the human anatomy. The meal was the generative portion of the supper which, after being presented to the dining pair was eaten with great enthusiasm, culminating in the orgasmically spontaneous noshing of an apple by Lucy. Then she was sleepy and laid down upon Randy. Later Lucy was heard to say that while it was not love, it was satisfying.

Such was our stint into the dynamic world of character creation and character in action, a la Conni’s Avant Garde Restaurant!